“We don't work on it as a movie, we work on it as a group of stills.
#Visual effects supervisor series#
Once the footage is scanned, it can be loaded into the computer as a series of sequential files. Once the picture is locked, Magliochetti can begin ordering the original negative to be pulled and scanned to the specific lengths required to complete the shot. Although some prep work can be done at this stage, generally he must wait until the locked picture cut of the film is available before he begins creating the effects.
He also takes photographs, measurements, and notes to use when the effect is put together. This enables him to do damage control, correcting potential problems and continuity errors. Once filming begins, Magliochetti prefers to be on set as often as possible when scenes involving effects are shot. In some instances, the effects job will be presented to several effects companies and it becomes the producer's job to decide who is the most cost-effective person to deliver the quality desired. Next, Magliochetti submits a budget that outlines what the various effects will cost. We will discuss the best angle to shoot from and what it will cost to remove the wire using visual effects.” Let's say they are going to perform a high fall off a building, but need to be tethered by some type of safety wire. In the case of stunts, the stunt people will outline what they can safely do. After that, a digital effect might take over to blend, or morph, to the next stage of the makeup. Then he, the director, and other department heads, such as art director, stunts, and makeup effects, meet to discuss who will handle the various aspects of the effect: “If it's a transformation, makeup effects can handle the altering of the person's body structure up to a certain point. Often, he reviews the storyboard to identify particular sequences that involve effects. He meets with the director and/or producer to discuss the director's vision for various effects. Generally, he reads the script and makes notes about possible effects. Because of his training in writing and directing, in addition to visual effects, he is often able to make suggestions to the writer that will maximize the visual effects budget. Ideally, Magliochetti is involved with a project while the script is still being written. Visual effects may also be required to remove unwanted elements from shots, such as telephone wires.
#Visual effects supervisor movie#
For the movie Bounce, visual effects supervisor Al Magliochetti was called upon to alter the background footage to make it appear that there was more snow. Visual effects people are also responsible for correcting shots. A safer and more cost-effective way of accomplishing the stunt might be to shoot each of the cars individually and combine the footage using computer generated effects to ensure the maximum action value. For example: a stunt involving two cars narrowly avoiding head-on collision is dangerous and expensive to create. The Visual Effects Society is a prominent trade organization representing the interests of visual effects professionals.The visual effects supervisor is responsible for designing those visual effects that cannot be produced on set due to practical, budgetary, or safety constraints. Collaborate on the bidding and negotiation processes.Accurately predict timing and associated costs of project.Possess a knowledge of various visual effects techniques with emphasis on camera set-ups and film knowledge with an eye for composition and camera work.Manage and direct the technical, artistic, and production personnel.Handle a VFX project from conception through to completion.Specific responsibilities vary somewhat depending on the nature of the production, however most supervisors: Often there are several VFX supervisors on a project, although there is typically a senior VFX supervisor directing their efforts. Supervisors can be employed directly by a film production company or work for a visual effects company. Often a supervisor will work in tandem with a visual effects producer and computer graphics supervisor. While it is a creative role, most supervisors possess a strong technical background and are capable of making informed decisions about the most efficient and effective technique to employ to solve the problem at hand. In the context of film and television production, a visual effects supervisor is responsible for achieving the creative aims of the director or producers through the use of visual effects.
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